Pitch Pool

We are looking for writers who know these subjects well and want to write on them. Every piece pays a standard ₹5,000. Email us why you are the right person for the topic and what your argument would be.

  1. Why did India’s “Little Magazine” traditions fail?

    Small-circulation literary journals in Bengali, Malayalam, Marathi, Hindi and other languages once launched the country’s modernist writers. Ask whether their failure was economic, political, linguistic, or partly a myth of survival. What replaced them, and what was lost when they went?

    pitch this essay
  2. How were Sartre, Camus and Kierkegaard absorbed across bhasha modernisms?

    Existentialist themes entered Indian languages through translation, adaptation, and local debate. Trace what bhasha modernists kept, changed, or rejected.

    pitch this essay
  3. Progressive Writers’ Association versus modernist autonomy: should literature serve a cause?

    The Progressive Writers’ Association held that writing should serve social change, while modernists defended the writer’s autonomy. The dispute is still unresolved.

    pitch this essay
  4. Manto, Chughtai and the obscenity trials: what does the State think literature is for?

    Obscenity cases reveal official assumptions about morality, public order, and art. What is literature permitted to say about sex, class, and desire?

    pitch this essay
  5. Is the novel an imported form?

    Interiority (a character’s inner life rendered at length) was not a classical Indian priority. How did Bankim, Premchand and later Vinod Kumar Shukla adapt or resist it?

    pitch this essay
  6. Can India modernise without being Westernised?

    How did British colonialism distort or clear India’s path to modernity? What alternative visions of modernity did Indian thinkers propose? Can core modern values be reconciled with “Indian Knowledge Systems”? Is a distinct “Multiple Modernities” framework possible for India?

    pitch this essay
  7. Vienna and Calcutta: what happens when an imperial second city has intellectual power but no political power?

    Both were imperial second cities with rich intellectual lives and no real political power. The comparison asks what that produces, in creativity and in frustration.

    pitch this essay
  8. What counts as an “Indian Knowledge System”?

    pitch this essay
  9. Hindutva is not Hinduism, but what is it?

    pitch this essay
  10. Ravi Varma and the calendar gods

    How did a European academic painting technique shape how modern Hindus picture their deities?

    pitch this essay
  11. Satyajit Ray and Ritwik Ghatak

    Two Bengali filmmakers gave opposite answers to modernity, one restrained and humanist, the other anguished and mythic. What does each show that the other cannot?

    pitch this essay
  12. The Bombay Progressives

    Were Husain, Souza and Raza internationalists who happened to be Indian, or did they produce a distinct Indian modernism?

    pitch this essay
  13. Wittgenstein and Nagarjuna

    Both press on the limits of language, but the resemblance is easy to overstate. Where does the comparison hold and where does it break?

    pitch this essay
  14. Heidegger and Advaita

    “Being” and Brahman look alike at a distance. Why do such comparisons usually mislead?

    pitch this essay
  15. Is Indian philosophy really “philosophy”?

    Some Western historians say no. The dispute is whether philosophy is a method, a subject matter or a European tradition.

    pitch this essay
  16. Victorian prudery as a colonial inheritance

    How much of present-day “traditional” sexual conservatism, including Section 377, came from British law and not from Indian sources?

    pitch this essay
  17. The Kama Sutra is not a sex manual

    Most of it concerns urban manners, courtship and household management. What does it show about the social world of the nagaraka (the cultivated city man)?

    pitch this essay
  18. Was India ever sexually liberated?

    Classical texts and temple sculpture suggest so, but they were produced by elites. Breaking “India” down by class, period and region changes the answer.

    pitch this essay
  19. Why did sex become the ground for arguing about independence?

    Katherine Mayo’s Mother India (1927), a book by an American, used Indian sexuality to argue against self-rule and provoked a nationalist response. The essay traces why the argument took this form.

    pitch this essay
  20. The courtesan as a cultured figure

    Texts like the Kuttanimata (an 8th-century Kashmiri work in which a procuress instructs a courtesan) and the Sanskrit plays show her as educated, wealthy and socially visible. The piece compares her with the Athenian hetaira and the Japanese geisha.

    pitch this essay
  21. Is “Hinduism” a colonial invention?

    Three claims are usually merged: the word is recent, the practices are old, and the unification into one religion is modern. Each has a different answer.

    pitch this essay
  22. Atheism inside the tradition

    Charvaka, Samkhya and Mimamsa were non-theistic schools. What would a non-theistic religiosity look like today?

    pitch this essay
  23. Why did Islam in India look so different from Islam in Arabia or Persia?

    What is regional and what is essential?

    pitch this essay
  24. What was the East India Company?

    A trading firm that became a state. The company form, not “Britain”, may explain more of what happened.

    pitch this essay
  25. Was the 1857 uprising a rebellion, a war of independence or a mutiny?

    Each name builds in a theory of what India was at the time.

    pitch this essay

frequently asked questions

pay

₹5,000 per piece, paid after we approve it.

how to pitch

Email hello@jungindien.in with the topic’s title in the subject line. Tell us your subject-matter expertise, your argument in 50 to 100 words, and the sources you will draw on. We reply within two weeks.

length and deadline

1,500 to 3,500 words. The first draft is due within 30 days of our approval.

topics not on the list

Pitch them too. The submission guidelines explain how.